Interestingly, in light of what I wrote below about the realities inside famous novels (and plays) I came across an essay by Doris Lessing about Jane Austen. In it she questioned whether there really could have been the happy ending: "And now here comes my personal caveat, but I am not the only one to think Darcy would not marry Elizabeth. Aristocrats do not marry poor middle-class girls much encumbered with disagreeable relatives. Yes, you believe it for the space and time of the tale, and that is all that is needed...Very beautiful girls, from nowhere, marrying lords in their castles? It all appeals to our nursery memories." It's a fascinating little essay in a book of her random essays on a huge variety of topics. I picked it up as a bargain book from B&N. Rather like reading a blog. One thing that she pinpoints is the absurd way Austen is sometimes taught--by people who don't know the time period to people who cannot imagine it. I remember at one poin...
nov·el /ˈnɒvəl/ –adjective/ of a new kind; different from anything seen or known before: a novel idea. *** eye -noun/ 6. the power of seeing; appreciative or discriminating visual perception: the eye of an artist. 8. an attentive look, close observation, or watch 9. regard, view, aim, or intention 10. a manner or way of looking at a thing