Skip to main content

Le Carre - Our Kind of Traitor

I always feel despair when I finish a Le Carre. At the state of the world. At the bastard who profit in it.

All right, granted, the Service has a statutory interest in international
crookery and money-laundering. We fought for a piece of it when times were hard,
and now we’re landed with it. I refer to that unfortunate fallow period between
the Berlin Wall coming down and Osama bin Laden doing us the favor of 9/11. We
fought for a piece of the money-laundering market the same as we fought for a
larger slice of Northern Ireland, and whatever other modest pickings were
available to justify our existence. But that was then, Hector. And this is now,
and as of today, which is where we are living, like it or not, your Service and
mine has better things to do with its time and resources than get its knickers
caught in the highly complex wheels of City of London finance, thank you.

…furthermore, we also have, in this country, a very large, fully
incorporated, somewhat over-financed sister agency that devotes its efforts,
such as they are, to matters of serious and organized crime, which I take it is
what you are purporting to be unveiling here. Not to mention Interpol, and any
number of competing American agencies falling over each other’s very large feet
to do the same job while careful not to prejudice the prosperity of that great
nation.

And to hell with the morality of it. To hell with the people who get hurt and die. They're just collateral to the greater good, or the greater profit, whichever it's more prudent to back at any time.

He’d heard that the Empowerment Committee had its own war room these days. It
seemed appropriate: somewhere ultra, ultra secret, suspended from wires or
buried a hundred feet underground. Well, he’d been in rooms like that: in Miami
and Washington when he was trading Intelligence with his chers collegues in the
CIA or the Drug Enforcement Agency or the Alcohol, Firearms & Tobacco Agency
and God knew what all the other agencies had been. And his measured opinion was
that they were places that guaranteed collective insanity. He’d watched how the
body language changed as the Indoctrinated Ones abandoned themselves and their
common sense to the embrace of their virtual world.

Sorry to be so dark here. Le Carre always does that to me.

Comments

Popular posts from this blog

Adapting a book--The Prestige

I was completely blown away by the movie of The Prestige , and I thought then about reading the novel, but it seemed too soon. So I carried the author's name around with me for over a year (Christopher Priest) and then, finally remembered to buy it through an odd sequence of events. We watched The Painted Veil based on the novel by Maugham starring Edward Norton, and while I decided I didn't want to read The Painted Veil because of it's differences from the film (which was more romantic and tragic) it reminded me that I had wanted to read Fight Club (the movie version of which starred Edward Norton) and that reminded me that I had wanted to read The Prestige (which did not star Edward Norton, but was up against The Illusionist which did). Whew...so it's all Edward Norton's fault. The Prestige is a very good novel, and yet, the movie differs from it considerably. And I am still trying to figure out what exactly that means. The central premise is the same, AND HE

Putting my money (read time) where my mouth is

Some Duran Duran with some songs that I believe prove their musical merit. eSnips gives me the power and I'm going to use it. ( Bwahaha ) Get this widget Share Track details This is one of my all time favorite songs. I have it on a B-Side Collection, although I can't find any mention of what it was B-Side of, just that it came out in 1988. The words are quite haunting, as is the melody. But, I can hear you say, this is not at all a standard D2 song. Well, no, but what is a standard song by any band? How do you average that? Thomas Dolby's singles were always abnormal compared to the rest of their respective albums. Same with Barenaked Ladies. I think the B-Sides are often truer to what the band wants to be without the pressure of the labels for commercial success. Get this widget Share Track details This is probably more like Duran Duran you're thinking of, right? It's from Pop Trash , released 2000. The words are based on the true story of a boy who was building

Books & Bands

A newsletter on webdesign had a contest to mash-up band names with book names--though it seems to have expanded to all literature. My personal favorite is: Horton Hears a Hoobastank But there are many others bubbling under: The Who Moved my Cheese (The Who's Afraid of Virginia Wolf is nice too) Courtney Love in the Time of Cholera Wallflowers for Algernon Bleak Housemartins I like the ones that just merge, but this is good too: One Fish, Two Fish, Hootie and the Blowfish (because the rhythm works) For the 80's girl in me: The Joy Division Luck Club The Elements of Style Council A Kraftwerk Orange (which is so great I'm surprised the band never used it for an album name) The Jesus and Mary Chain of Command Everything But the Girl, Interrupted The Five People You Meet in Heaven 17 The Natalie Merchant of Venice Romeo Void and Juliet The Motels New Hampshire (that one's stretching it, but it's funny) At Play in the Fields of the Lords of the New Church (and also At Pla