Skip to main content

Romance in the age of #METOO

Almost everyone who knows me post my relationship with my husband knows the story of how we met: I stalked him at his place of work for a month, and then finally got up the nerve to say, "Um, I saw you like Doctor Who, and I like Doctor Who, and do you want to grab a soda and talk about Doctor Who?" And we hit it off, and have been fairly inseparable ever since, nearly thirty years.
And we all say, "Aw, what a sweet, romantic story," right?
But in the age of #METOO, I keep thinking, what if the situation were reversed? If I were a man who stood in the paperbacks every day staring a female worker? That woman would have had security walk her to her car every night. Or what if I were a man who had stalked Nick (Nick's bi-sexuality not-withstanding)?
I was eighteen and weighed 105 pounds. Nick's age was unknown to me, and my college roommate pointed out that he might actually have been in high school making me the pedophile (he was actually twenty-three).

I just asked him if he would have been fine with the situation if I had been a teen-age boy. He said yes. What if I had been a middle-aged man? Maybe less so. He was ogled often. He was a pretty boy in eyeliner and too tight pants. He also had a green belt in karate, and perhaps an over-inflated, sense of his own ability to defend himself (he weighed 125 pounds at the time). But there are always guns, knives, clubs, crazy people.
I have been thinking about the problem of the "romantic overture" vs. creeping. The flirt vs. harassment. The difference is in consent, the wishes of the object of desire, but also in the outcome--soul-mate vs. victim (or even just hot one-night stand)--but the outcome cannot be known at the outset.
Nick passively consented and was attracted to me as well, but I couldn't know that when I was taking the bus every night after class to stare at the man I believed I had fallen in love with without exchanging a word.
We have a myth about finding true-love, the fairy-tale ending, love at first sight. Prince Charming can kiss Snow White, or Sleeping Beauty without her consent because it's "meant to be," they are destined to be together. We look for it, both sexes. We want it. And we forgive creeper behavior when it works out.
Obviously someone like Harvey Weinstein wasn't looking for true-love, or Anthony Weiner, or even Bill Clinton. But how many stalkers, creepers, overly-aggressive harassers justify their own actions because they know in their hearts that it's "true love" and eventually the object of desire will realize it too--as I did. How many victims passively allow things to progress beyond where they are comfortable because this might be the one?

Comments

Popular posts from this blog

Adapting a book--The Prestige

I was completely blown away by the movie of The Prestige , and I thought then about reading the novel, but it seemed too soon. So I carried the author's name around with me for over a year (Christopher Priest) and then, finally remembered to buy it through an odd sequence of events. We watched The Painted Veil based on the novel by Maugham starring Edward Norton, and while I decided I didn't want to read The Painted Veil because of it's differences from the film (which was more romantic and tragic) it reminded me that I had wanted to read Fight Club (the movie version of which starred Edward Norton) and that reminded me that I had wanted to read The Prestige (which did not star Edward Norton, but was up against The Illusionist which did). Whew...so it's all Edward Norton's fault. The Prestige is a very good novel, and yet, the movie differs from it considerably. And I am still trying to figure out what exactly that means. The central premise is the same, AND HE

Putting my money (read time) where my mouth is

Some Duran Duran with some songs that I believe prove their musical merit. eSnips gives me the power and I'm going to use it. ( Bwahaha ) Get this widget Share Track details This is one of my all time favorite songs. I have it on a B-Side Collection, although I can't find any mention of what it was B-Side of, just that it came out in 1988. The words are quite haunting, as is the melody. But, I can hear you say, this is not at all a standard D2 song. Well, no, but what is a standard song by any band? How do you average that? Thomas Dolby's singles were always abnormal compared to the rest of their respective albums. Same with Barenaked Ladies. I think the B-Sides are often truer to what the band wants to be without the pressure of the labels for commercial success. Get this widget Share Track details This is probably more like Duran Duran you're thinking of, right? It's from Pop Trash , released 2000. The words are based on the true story of a boy who was building

The end of Cloud Atlas

Feel I must write this--promised it to myself, can I finish before midnight (when I said I would go to bed at 11)? Where was I? Oh, yes, section 5, where it gets interesting--because it's the future, at least 25 years, hopefully more. I say hopefully, because I don't want to be living in this future. The section is called "An Orison of Sonmi-451." An Orison (I had to look it up, proving I don't remember my Shakespeare) is a prayer, but in this future world where language has taken as many turns as in Orwell's 1984, it is more a confession or final statement. Sonmi-451 is a clone (as the name might suggest). The section is not entirely original. It owes much to Brave New World and Phillip K. Dick's Do Androids Dream of Electric Sheep? (made into the film Bladerunner ). I find it interesting that 40 or so years ago--when Dick wrote his book he believed that future slaves would be Androids, replicants. Now we are much more likely to presume they will be clo