Skip to main content

Brave Story

When I returned I read Brave Story by Miyuki Miyabe. I had started a few chapters before I left, but as the book is an 816 page hardback I decided I didn't need to take it on the plane. It's also my husband's book and I don't annotate his books, only ones that are specifically mine.

I can't quite decide if Brave Story is a children's/young adult book or an adult book. Being a Japanese novel (no, I did not read it in Japanese) it had more adult themes than you might find in a young adult novel in the US or Britain, but at the same time, they weren't SO adult that they would be out of the realm of possibility that they were for young adults. Sort of Judy Blume meets Harry Potter. Perhaps it was the collision of realistic themes with a fantasy story. The first third of the book is a pretty straightforward description of being an 11 year old (what is it with 11--Aang in Avatar is 11, Harry Potter was 11 when it began) in Japan with a fairly strict, traditional family.

Then Wataru's home life collapses and he gets the opportunity to go to Vision, an alternate world to find the gemstones, meet the Goddess and change his destiny. He is racing against another boy from his school, one who is faster and smarter than he is. He makes friends, has adventures and staggers through. And he faces deep ethical dilemma's that all heroes have to face. Do we stop and help those around us because it's the good thing to do, even though it will mean possibly sacrificing our own quest. It's fairly obvious early on that Wataru is going to make good decisions and his opponent is going to be ruthless in his pursuit, and that it will seem that Wataru must loose because he isn't as determined. And he will realize that his destiny is his destiny--what makes him who he is--all the bad things shape our character and without them, we'd face other bad things. Nobody makes it through unscathed, yet that's who we are, battle scarred and still standing. So in the end he does not change his own destiny, he uses his gift from the Goddess to help his friends.

Like I said, all of this is fairly predictable in the genre, and yet despite the flat translation (a condition of all Japanese to English, I believe, not a lapse on the part of the translators), I found myself deeply compelled to keep reading all 800 pages. Whether this is just to see how the Japanese mindset might wrap it up in contrast to Rowling or because it was good, I'm not actually sure. Along the way there was much to be said about fanaticism and blind faith and good intentions.

I am always intrigued by the Japanese approach to these subjects in light of their history. I also caught the FMA movie recently and it came down squarely against the Nazi's. Of course, but I am intrigued by it.

Comments

Matt said…
RE: eleven

11 is the age most people are at the end of shogakkou (elementary school) and it's pretty much the last gasp of childhood before the onset of puberty. Weren't the kids in IT by Stephen King also 11? I think so. 11 is 5th and 6th grade. Powerful times, especially in the imagination.

Biologically/cognitively, it's also around the time of the "critical period" where brain chemistry changes and it becomes infinitely harder to learn languages.

From a more... grim?... perspective, it's also around the time when kids are choosing what they want as far as media (music, books) and finally are getting enough allowance to go buy same. So it's a good target age. The demographic of girls in junior high is why manga now outsells all other forms of graphic novel in America.

How's it going? :D
Novel said…
Interesting. I tend to think of 12 as the last point--before becoming a "teenager."

Have you seen her books in Japan?

Popular posts from this blog

Adapting a book--The Prestige

I was completely blown away by the movie of The Prestige, and I thought then about reading the novel, but it seemed too soon. So I carried the author's name around with me for over a year (Christopher Priest) and then, finally remembered to buy it through an odd sequence of events. We watched The Painted Veil based on the novel by Maugham starring Edward Norton, and while I decided I didn't want to read The Painted Veil because of it's differences from the film (which was more romantic and tragic) it reminded me that I had wanted to read Fight Club (the movie version of which starred Edward Norton) and that reminded me that I had wanted to read The Prestige (which did not star Edward Norton, but was up against The Illusionist which did). Whew...so it's all Edward Norton's fault.

The Prestige is a very good novel, and yet, the movie differs from it considerably. And I am still trying to figure out what exactly that means. The central premise is the same, AND HER…

The end of Cloud Atlas

Feel I must write this--promised it to myself, can I finish before midnight (when I said I would go to bed at 11)?

Where was I?

Oh, yes, section 5, where it gets interesting--because it's the future, at least 25 years, hopefully more. I say hopefully, because I don't want to be living in this future. The section is called "An Orison of Sonmi-451." An Orison (I had to look it up, proving I don't remember my Shakespeare) is a prayer, but in this future world where language has taken as many turns as in Orwell's 1984, it is more a confession or final statement. Sonmi-451 is a clone (as the name might suggest). The section is not entirely original. It owes much to Brave New World and Phillip K. Dick's Do Androids Dream of Electric Sheep? (made into the film Bladerunner). I find it interesting that 40 or so years ago--when Dick wrote his book he believed that future slaves would be Androids, replicants. Now we are much more likely to presume they will be clones,…