Skip to main content

Coen Brothers Films

Had sort of a Coen Brothers fest lately--probably because the stations have been running so many of them because of the DVD release of Burn After Reading.

Just watched it. It was funny, but I have to agree with the critics that this was not their best. Some of the expressions from Clooney and Pitt are priceless--that play upon the meta-of Clooney and Pitt being somewhat unattractive, schlubs--and the final coming together of the stories delightful.

My favorites remain "O, Brother" and "Barton Fink." I have not seen "The Ladykillers" because the original is so priceless and perfect with Alec Guinness that I kind of think a remake is a travesty. I absolutely do not get "The Big Lebowski" and quite frankly, having recently seen "No Country," I didn't get that either. I did miss the first 15 minutes or so of that and so perhaps my perception is skewed. I thought it okay, but I found none of the special qualities that make a Coen Bros. film and couldn't quite understand all of the praise that was heaped upon it.

On the second tier would be Intolerable Cruelty (fluff but so funny--second in what Clooney calls their trilogy of Clooney as idiot characters), The Man Who Wasn't There--very subtle for them, Fargo--of course, doncha know, Blood Simple and Miller's Crossing.

I only saw Raising Arizona a couple of weeks ago (amazing but true) and I laughed quite a bit, but it seemed oddly forced after their recent stuff. I always forget that Hudsucker is theirs and I haven't seen the short pieces that they did recently.

Burn After Reading (2008)
Chacun son cinéma ou Ce petit coup au coeur quand la lumière s'éteint et que le film commence (2007) (segment "World Cinema") ... aka Chacun son cinéma (France: short title) ... aka To Each His Cinema (International: English title)
No Country for Old Men (2007)
Paris, je t'aime (2006) (segment "Tuileries") ... aka Paris, I Love You (Hong Kong: English title)
The Ladykillers (2004)
Intolerable Cruelty (2003)
The Man Who Wasn't There (2001)
O Brother, Where Art Thou? (2000) ... aka O' Brother (France)
The Big Lebowski (1998)
Fargo (1996)
The Hudsucker Proxy (1994) ... aka Hudsucker - Der große Sprung (Germany)
Barton Fink (1991)
Miller's Crossing (1990)
Raising Arizona (1987)
Blood Simple. (1984)

Comments

Popular posts from this blog

Adapting a book--The Prestige

I was completely blown away by the movie of The Prestige , and I thought then about reading the novel, but it seemed too soon. So I carried the author's name around with me for over a year (Christopher Priest) and then, finally remembered to buy it through an odd sequence of events. We watched The Painted Veil based on the novel by Maugham starring Edward Norton, and while I decided I didn't want to read The Painted Veil because of it's differences from the film (which was more romantic and tragic) it reminded me that I had wanted to read Fight Club (the movie version of which starred Edward Norton) and that reminded me that I had wanted to read The Prestige (which did not star Edward Norton, but was up against The Illusionist which did). Whew...so it's all Edward Norton's fault. The Prestige is a very good novel, and yet, the movie differs from it considerably. And I am still trying to figure out what exactly that means. The central premise is the same, AND HE...

Yay! Dystopia!

So, I've been having a dystopia fest (this is not rare for me--I am fascinated by dystopian literature). I read Margaret Atwood's "Madadam," another book in the series that began with "Oryx & Crake." If you haven't read "Oryx & Crake," I can't recommend it highly enough. It just blew my mind when I read it several years ago. It is both dystopian--pre-apocolyptic, and post-apocalyptic. And watched "Metropolis," and "Things to Come." Then I consumed "The Hunger Games"--all three books--in three days. I had never read "The Hunger Games" before, and I found the writing hard to slog through. I understand that it was supposed to capture the simple, plain speech of Katniss, along with the present tense, but 1st person, present tense is a hard sell for a long book, let alone three. That said, the story was intriguing. I will be curious to see how they handle the horrifying violence of the l...

The end of Cloud Atlas

Feel I must write this--promised it to myself, can I finish before midnight (when I said I would go to bed at 11)? Where was I? Oh, yes, section 5, where it gets interesting--because it's the future, at least 25 years, hopefully more. I say hopefully, because I don't want to be living in this future. The section is called "An Orison of Sonmi-451." An Orison (I had to look it up, proving I don't remember my Shakespeare) is a prayer, but in this future world where language has taken as many turns as in Orwell's 1984, it is more a confession or final statement. Sonmi-451 is a clone (as the name might suggest). The section is not entirely original. It owes much to Brave New World and Phillip K. Dick's Do Androids Dream of Electric Sheep? (made into the film Bladerunner ). I find it interesting that 40 or so years ago--when Dick wrote his book he believed that future slaves would be Androids, replicants. Now we are much more likely to presume they will be clo...