nov·el /ˈnɒvəl/ –adjective/ of a new kind; different from anything seen or known before: a novel idea.
eye -noun/ 6. the power of seeing; appreciative or discriminating visual perception: the eye of an artist.
8. an attentive look, close observation, or watch
9. regard, view, aim, or intention
10. a manner or way of looking at a thing
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Well, I've started my new job. First day went like most first days--setting up the desk, learning the systems, finding out if I could order supplies (I can). I already knew where the bathroom and kitchen were. There was panic that I'm in over my head, frustration that people weren't there to point me in a direction, more panic that I will have to find my own direction and then calm as I simply started doing things.
I was completely blown away by the movie of The Prestige, and I thought then about reading the novel, but it seemed too soon. So I carried the author's name around with me for over a year (Christopher Priest) and then, finally remembered to buy it through an odd sequence of events. We watched The Painted Veil based on the novel by Maugham starring Edward Norton, and while I decided I didn't want to read The Painted Veil because of it's differences from the film (which was more romantic and tragic) it reminded me that I had wanted to read Fight Club (the movie version of which starred Edward Norton) and that reminded me that I had wanted to read The Prestige (which did not star Edward Norton, but was up against The Illusionist which did). Whew...so it's all Edward Norton's fault.
The Prestige is a very good novel, and yet, the movie differs from it considerably. And I am still trying to figure out what exactly that means. The central premise is the same, AND HER…
Inching along in a log jam of traffic yesterday on the Mass Pike I watched an Audi a few cars in front of me weave in and out of traffic determined to find the lane that was "moving" and yet for the whole half an hour that we sat there he ended up still only a few cars ahead of me. Sure there were times his lane pulled ahead, but then mine would catch up and he would switch back. The only thing he accomplished was to make the line that much slower. There was a great article that a friend sent me years ago on the physics of traffic and it has been determined that weaving in and out of tight traffic will really gain you nothing and in fact cause the very blockages that you believe you are defying. (Sidenote--an unfortunately side effect of so much of interest on the internet is that it is impossible to store all of the articles that interest you over the years in the vague belief that you will someday want to reference them to others) The article also pointed out that if all d…
Feel I must write this--promised it to myself, can I finish before midnight (when I said I would go to bed at 11)?
Where was I?
Oh, yes, section 5, where it gets interesting--because it's the future, at least 25 years, hopefully more. I say hopefully, because I don't want to be living in this future. The section is called "An Orison of Sonmi-451." An Orison (I had to look it up, proving I don't remember my Shakespeare) is a prayer, but in this future world where language has taken as many turns as in Orwell's 1984, it is more a confession or final statement. Sonmi-451 is a clone (as the name might suggest). The section is not entirely original. It owes much to Brave New World and Phillip K. Dick's Do Androids Dream of Electric Sheep? (made into the film Bladerunner). I find it interesting that 40 or so years ago--when Dick wrote his book he believed that future slaves would be Androids, replicants. Now we are much more likely to presume they will be clones,…