I wasn't going to make this a separate post but...

Blogger has eaten my add on TWICE! TWICE! NAN DE O????

Anyway as an addendum to the below, I realize that that post (and by extension, this one) are only interesting to two of my friends. I am worried that the "non-gay" Hyde wishes to emulate a man who famously said that one of his fantasy's was to be manhandled by British soldiers.

After posting (the fact that this new job has no firewall between me and Blogger could be a bad thing) I was heading home and thought, "Should I listen to Dead or Alive?" (I'd already listened to L'Arc) and listened to this instead for obvious reasons:

Ah, Information Society--most famous for sampling from the Original Star Trek. The album is surprisingly solid, slightly repetitious (no pun intended as there is a song called Repetition) but danceable and well made.

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Adapting a book--The Prestige

I was completely blown away by the movie of The Prestige , and I thought then about reading the novel, but it seemed too soon. So I carried the author's name around with me for over a year (Christopher Priest) and then, finally remembered to buy it through an odd sequence of events. We watched The Painted Veil based on the novel by Maugham starring Edward Norton, and while I decided I didn't want to read The Painted Veil because of it's differences from the film (which was more romantic and tragic) it reminded me that I had wanted to read Fight Club (the movie version of which starred Edward Norton) and that reminded me that I had wanted to read The Prestige (which did not star Edward Norton, but was up against The Illusionist which did). Whew...so it's all Edward Norton's fault. The Prestige is a very good novel, and yet, the movie differs from it considerably. And I am still trying to figure out what exactly that means. The central premise is the same, AND HE

Putting my money (read time) where my mouth is

Some Duran Duran with some songs that I believe prove their musical merit. eSnips gives me the power and I'm going to use it. ( Bwahaha ) Get this widget Share Track details This is one of my all time favorite songs. I have it on a B-Side Collection, although I can't find any mention of what it was B-Side of, just that it came out in 1988. The words are quite haunting, as is the melody. But, I can hear you say, this is not at all a standard D2 song. Well, no, but what is a standard song by any band? How do you average that? Thomas Dolby's singles were always abnormal compared to the rest of their respective albums. Same with Barenaked Ladies. I think the B-Sides are often truer to what the band wants to be without the pressure of the labels for commercial success. Get this widget Share Track details This is probably more like Duran Duran you're thinking of, right? It's from Pop Trash , released 2000. The words are based on the true story of a boy who was building

The end of Cloud Atlas

Feel I must write this--promised it to myself, can I finish before midnight (when I said I would go to bed at 11)? Where was I? Oh, yes, section 5, where it gets interesting--because it's the future, at least 25 years, hopefully more. I say hopefully, because I don't want to be living in this future. The section is called "An Orison of Sonmi-451." An Orison (I had to look it up, proving I don't remember my Shakespeare) is a prayer, but in this future world where language has taken as many turns as in Orwell's 1984, it is more a confession or final statement. Sonmi-451 is a clone (as the name might suggest). The section is not entirely original. It owes much to Brave New World and Phillip K. Dick's Do Androids Dream of Electric Sheep? (made into the film Bladerunner ). I find it interesting that 40 or so years ago--when Dick wrote his book he believed that future slaves would be Androids, replicants. Now we are much more likely to presume they will be clo

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