Skip to main content

God, I can't stop

Just a follow-up. Neil Gaiman's daughter is writing his blog. She's on the set of the latest Hellboy being cosseted by Guillermo del Toro and Selma Blair. She's clearly quite precocious. On the one hand--how cool is that--I'm jealous. On the other, having been a precocious and cosseted child, I wish that people had been more honest with me. There comes a point when you will not be clever for your age--will not be the kid it's fun to humor, but just another adult. I think the whole self-esteem movement is actually making kid's self-esteem worse. I think I would have been better off if more people had said, "You aren't good at this--you have to work at it. This is good for a 12 year old but next year you'll have to do better." I got to rest on my laurels and I never learned to work hard or to fail. This probably won't happen to Gaiman's daughter, but I see it happening to other young people I know. Or I'm just blaming other people for my problems. I don't know how you go about doing both--keeping self-esteem, but teaching that there will always be people better than you. That's why I don't have kids.

Comments

Popular posts from this blog

Driving in Boston

Inching along in a log jam of traffic yesterday on the Mass Pike I watched an Audi a few cars in front of me weave in and out of traffic determined to find the lane that was "moving" and yet for the whole half an hour that we sat there he ended up still only a few cars ahead of me. Sure there were times his lane pulled ahead, but then mine would catch up and he would switch back. The only thing he accomplished was to make the line that much slower. There was a great article that a friend sent me years ago on the physics of traffic and it has been determined that weaving in and out of tight traffic will really gain you nothing and in fact cause the very blockages that you believe you are defying. (Sidenote--an unfortunately side effect of so much of interest on the internet is that it is impossible to store all of the articles that interest you over the years in the vague belief that you will someday want to reference them to others) The article also pointed out that if all d…

The end of Cloud Atlas

Feel I must write this--promised it to myself, can I finish before midnight (when I said I would go to bed at 11)?

Where was I?

Oh, yes, section 5, where it gets interesting--because it's the future, at least 25 years, hopefully more. I say hopefully, because I don't want to be living in this future. The section is called "An Orison of Sonmi-451." An Orison (I had to look it up, proving I don't remember my Shakespeare) is a prayer, but in this future world where language has taken as many turns as in Orwell's 1984, it is more a confession or final statement. Sonmi-451 is a clone (as the name might suggest). The section is not entirely original. It owes much to Brave New World and Phillip K. Dick's Do Androids Dream of Electric Sheep? (made into the film Bladerunner). I find it interesting that 40 or so years ago--when Dick wrote his book he believed that future slaves would be Androids, replicants. Now we are much more likely to presume they will be clones,…

Adapting a book--The Prestige

I was completely blown away by the movie of The Prestige, and I thought then about reading the novel, but it seemed too soon. So I carried the author's name around with me for over a year (Christopher Priest) and then, finally remembered to buy it through an odd sequence of events. We watched The Painted Veil based on the novel by Maugham starring Edward Norton, and while I decided I didn't want to read The Painted Veil because of it's differences from the film (which was more romantic and tragic) it reminded me that I had wanted to read Fight Club (the movie version of which starred Edward Norton) and that reminded me that I had wanted to read The Prestige (which did not star Edward Norton, but was up against The Illusionist which did). Whew...so it's all Edward Norton's fault.

The Prestige is a very good novel, and yet, the movie differs from it considerably. And I am still trying to figure out what exactly that means. The central premise is the same, AND HER…