Skip to main content

The design

One of the things I've been doing at home for work is developing the theme for the company's fall conference. This is what I came up with:


I've blocked out the company name.





I realized that I seem to have a thing for weaving dollar signs with objects. This is the image I drew by hand for my high school production of All My Sons (forgive the photo--it's a camera phone in night mode of a t-shirt that's become a quilt top. The original shirt is actually red):





Obviously, in All My Sons, the pursuit of the dollar is a bad thing. I would imagine that my boss sees dollar signs as a good thing. I'm not sure how I feel about it.


I am not obsessed with using dollar signs in graphics (these ARE 20 years apart), but I realized, what I do like is the shape of text as it relates to an image. I like picking just the right font to fit with the image and arranging them--puzzle like on the page.

Comments

Popular posts from this blog

Adapting a book--The Prestige

I was completely blown away by the movie of The Prestige , and I thought then about reading the novel, but it seemed too soon. So I carried the author's name around with me for over a year (Christopher Priest) and then, finally remembered to buy it through an odd sequence of events. We watched The Painted Veil based on the novel by Maugham starring Edward Norton, and while I decided I didn't want to read The Painted Veil because of it's differences from the film (which was more romantic and tragic) it reminded me that I had wanted to read Fight Club (the movie version of which starred Edward Norton) and that reminded me that I had wanted to read The Prestige (which did not star Edward Norton, but was up against The Illusionist which did). Whew...so it's all Edward Norton's fault. The Prestige is a very good novel, and yet, the movie differs from it considerably. And I am still trying to figure out what exactly that means. The central premise is the same, AND HE...

Yay! Dystopia!

So, I've been having a dystopia fest (this is not rare for me--I am fascinated by dystopian literature). I read Margaret Atwood's "Madadam," another book in the series that began with "Oryx & Crake." If you haven't read "Oryx & Crake," I can't recommend it highly enough. It just blew my mind when I read it several years ago. It is both dystopian--pre-apocolyptic, and post-apocalyptic. And watched "Metropolis," and "Things to Come." Then I consumed "The Hunger Games"--all three books--in three days. I had never read "The Hunger Games" before, and I found the writing hard to slog through. I understand that it was supposed to capture the simple, plain speech of Katniss, along with the present tense, but 1st person, present tense is a hard sell for a long book, let alone three. That said, the story was intriguing. I will be curious to see how they handle the horrifying violence of the l...

The end of Cloud Atlas

Feel I must write this--promised it to myself, can I finish before midnight (when I said I would go to bed at 11)? Where was I? Oh, yes, section 5, where it gets interesting--because it's the future, at least 25 years, hopefully more. I say hopefully, because I don't want to be living in this future. The section is called "An Orison of Sonmi-451." An Orison (I had to look it up, proving I don't remember my Shakespeare) is a prayer, but in this future world where language has taken as many turns as in Orwell's 1984, it is more a confession or final statement. Sonmi-451 is a clone (as the name might suggest). The section is not entirely original. It owes much to Brave New World and Phillip K. Dick's Do Androids Dream of Electric Sheep? (made into the film Bladerunner ). I find it interesting that 40 or so years ago--when Dick wrote his book he believed that future slaves would be Androids, replicants. Now we are much more likely to presume they will be clo...